PRESS: LA WEEKLY - MEET LIGHT FIELDS PAINTER CASPER BRINDLE

MEET LIGHT FIELDS PAINTER CASPER BRINDLE

Abstract painter Casper Brindle renders pure color in aerated layers that capture and refract light, creating breath and a sense of motion with their awe-inspiring luminosity. Heartily influenced by the legacy of the Light and Space movement—which embraced the qualities of wonder in newfangled materials like resin and airbrush, as well as the imagination-fueling advances in interstellar travel—Brindle updates that art historical framework with a modern-day love of the surf and car cultures of his Los Angeles youth. Using automotive paint to enhance that space-age shine as well as an elusive sense of nostalgia in the super-charged palette, Brindle layers delicate coats which seem to capture light in between—later to release it to viewers in an eternal glow. Seeming to change as the viewer moves past them, and carrying the illusion of distant horizons or doors (of perception) as a framework, the magic in Brindle’s canvases actually happens in the eye of their beholders.

By: Shana Nys Dambrot - June 12, 2023



Frederick R. Weisman Foundation Acquires Lambretta by Alex Couwenberg

Alex Couwenberg, Lambretta, 2022 acrylic & spray on canvas 66" x 84"

William Turner Gallery is pleased to announce the acquisition of Lambretta by the Frederick R. Weisman Art Foundation from Alex Couwenberg’s recent exhibition SuperGlide.

In this new series of visually exquisite works, Alex Couwenberg utilizes a jazz-like ensemble of color, line and texture to create lyrically engaging, deftly complex compositions. These multi-layered canvases captivate the viewer with the precision of their virtuosic execution, but they are at heart wonderful improvisations - reductive and additive processes drawing upon his intuitive and spontaneous reactions in the moment. Couwenberg simultaneously builds upon and excavates the surfaces of his paintings, constructing an abstract archaeology of his own deeply personal, semiotic patois. Born and raised in Southern California, Couwenberg’s work expresses the seemingly contradictory sensibilities of the region - the love of nature, and its variegated, open-spaced color and light, and, conversely, the embrace of an urban architecture, in all of its physical and cultural density.

A graduate of The Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern California-base school of Hard-edge geometric abstraction. Beginning in the mid to late 60s, Benjamin was instrumental in developing a highly refined painting style, process, and philosophy of tightly ruled shapes and edges. Concurrently, other artists in LA began working with industrial materials to create highly refined surfaces, termed “Finish Fetish”, and investigating alternative mediums and technological advances. Both of these influences coalesce into Couwenberg’s post-postmodern vernacular, characterized by its layered formal, material, and textured surfaces.

Alex Couwenberg’s paintings have been shown in several solo and group exhibitions throughout the United States, Canada, Europe, and Asia. His work can be found in numerous public, private, corporate, and museum collections around the world. Museum acquisitions include the Crocker Museum of Art, the Daum Museum in Missouri, Lancaster Museum of Art and History, Laguna Art Museum, Long Beach Museum of Art, and Nushi-Umeda, Tokyo to name a few. In 2007, Couwenberg was awarded the prestigious Joan Mitchell Foundation Award for his achievements in painting and in 2012 was featured as the subject of Los Angeles based filmmaker Eric Minh Swenson’s project titled “The Making Of La Fonda,” which focuses on the artist's life and studio practices.

ART NOW LA / SIMON BIRCH and The Da Vinci Questionnaire

The artist at 14th Factory Hong Kong, photo by Scott Sporleder

British-born, Hong Kong-based Simon Birch, who has been awarded the prestigious Louis Vuitton Asian Art Prize and the Sovereign Asian Art Prize, and whose work has encompassed sculpture, painting, photography, performance, video and large-scale multi-media installation projections – often guiding the viewer through narrative sequences – plumbs his own psychological depths only to discover what makes him love work and life.

What historical art figure would you like to have lunch with and why? Caravaggio…drunken adventures, brawling, insulting the beast, the guy carried a sword and cut some guys balls off..all while painting some of the most brilliant works in human history….would be a colorful lunch.

What did you purchase with the proceeds from your first sale? A 1980 Ferrari Mondial. Sounds extravagant but was barely running and only cost about $10k. I eventually rolled it on purpose for a video installation for my project in LA, The 14th Factory. The stunt team, cameras, lighting, etc, was far more expensive than the car. The car became a video installation and 300 sculptures cut from the wreckage, and a photography work by Stanley Wong. Far more valuable than the original car and also shared as art for all.

What words or phrases do you overuse? That’s what she said!

Coachwhip SuperCharger, 49"x100” & Shutdown Danger Pink, 78.7" x 78.7"

How do you know when a work is finished? No work is ever finished, it’s just a stepping stone that brings you closer and closer to making something decent, I hope. Still working towards making good art. As one progresses, you learn, and realise how little you know, and how you lean on all of art history, consciously or not, especially painting but now, more so for me, concept driven work. So you feel at once excited to create something new, and defeated because it’s all been done. One of my first impactful criticisms was that my work is stylized and derivative. I agree but then what isn’t? Working on it. But also making the art I am compelled to make, while being more and more self, and historically, aware.

When and where were you happiest? Strangely, one of my happiest times was when I was closest to death. Something about clarity of mission. I was diagnosed with terminal cancer, but woke up the next day knowing I could crush it and received overwhelming and rapid support. I invited anyone I thought was a real friend to dinner to announce my situation (yes, all about me!) and asked for help. Only 1 of those 20 people walked away. Seeing all these people help with research, shopping and delivering supplies, taking me to hospital, working together on a survival plan….though it was life or death, it showed me who my real friends are, then and forever since. I’m happy to have passed on my process, network, advice, to many people ever since and ever more.

He Willed Himself Into Passivity, Became the Passenger Behind Her Eyes, 72”x72”


What is your most treasured possession? I possess nothing, so it’s not so relevant. Maybe my answer, cliche as it is, friends and memories. I’ve had a very rich life to be grateful for, but also lost so much over many years, had to sacrifice so much to try to achieve my goals – apartment, cars, artworks, vacations, all gone….in pursuit of something truly great. My new project, that is still very much in the balance.


Where is your ideal escape destination? 
Oh, that’s easy, escape to see my godson in Australia, my goddaughter in Denmark, my mum in London and a few other jokers along the way.

 

What’s the worst survival job you’ve ever had? I was a bouncer at a rough club in the Midlands in the late 80’s. Seeing blood many nights, and occasionally my own, was a clear message to get away from that environment. Even my brother got stabbed, lost 5 pints of blood and should have died. He’s fine now. Other friends, not fine. Second place was working in a factory on the production line, same thing every day, just awful. Bring on the robots.

What TV series from your youth best describes your approach to life? We were poor, so TV access was rare. I’d say more influential was my addiction to comic books. The Dark KnightV for VendettaWatchmenSandman….outsider heroes. All of those influences have made me try to be and do good and also obsess about drawing and painting the human figure.

If you could change one thing about yourself, what would it be? A lot of things! But all the things I would change are repercussions from my upbringing, and if I could change that, I would have gotten decent education, mentorship and opportunity.

 What is your most treasured memory? Too many. Hiking through Iceland. Surfing waves of consequence with my BFF. Freediving to the darkest depths. Making a good painting. Falling in love. Maybe one of the nicest was, after recovering, helping a friend who was desperately ill, and seeing him survive. I still claim I saved his life when we bump into each other but the truth is, it was all him.
What makes you smile? Grease, the movie. Queen at Live AidBill HicksDavid CrossPrinceSchool of RockRicky GervaisFawlty TowersPublic EnemyStar Wars….and a million other movies and TV shows….my dog Frankenstein, all my friends constantly mocking me.

 What makes you cry? Everything. The more you know, the more empathy and clarity you have, the more you realize there are endless real-world problems that could be so easily fixed. But we are far from utopia and corporations, media and governments have all the power and seem corruptly intertwined.


What is your go-to drink when you toast to a sale? Old Fashioned. 
Sale or not.

After an all-nighter, what’s your breakfast of champions? I don’t do all-nighters, too old for that, we are all into Brazilian Jiu jitsu, so we eat well, rest, which works for mind and body. Plus my current project is all absorbing so there’s no days off.

Who inspires you? Boyan Slat.

Money Folder, 86.6" x 86.6"

What’s your best quality? Maybe rushing into the fray to help a stranger. Quite recklessly but it’s been a recurring thing in my life, being confronted with an urgent crisis in the street and just diving in.

What’s your biggest flaw? Maybe same as previous question.

 What is your current state of mind? Utterly stressed. My last project was The 14th Factory in Los Angeles. I nearly went bankrupt, and ended up in hospital afterwards from exhaustion. It was well loved, so I’ve been encouraged to develop the next one ever since. I was close to delivering project 2 in London then COVID hit.

I retreated to Hong Kong and looked at space here and went through many ups and downs. Now I have a huge site, 250,000 square feet, and have raised some capital but not enough. Even with an exceptional team and concept, I’m struggling to find the final funding to make it happen. As I write this it may all come together in the next two weeks, or it’s canceled and I have to start from zero yet again.

What do you consider your greatest achievement? My ability to use the phrase, ‘That’s what she said,’ in every conversation.