HYPERALLERGIC Names Mark Steven Greenfield a top 10 show to see in October

Mark Steven Greenfield, “Saartjie Baartman” (2020), gold leaf and acrylic on wood panel, 24 x 24 inches (~61 x 61 cm) (photo by Rob Brander, courtesy William Turner Gallery)

Auras features two bodies of paintings by Mark Steven Greenfield — Black Madonna (2020) and HALO (2022) — that reconsider the breadth of the Black experience in the Americas by excavating and reframing contested histories. HALO comprises portraits of influential Black figures, from the revered to the lesser-known, including Haitian Revolution leader Toussaint Louverture, famed magician Black Herman, and silhouette artist Moses Williams — formerly enslaved by Charles Willson Peale — portrayed as saintly icons surrounded by gold leaf. Black Madonna depicts a beatific ebony Madonna and child, while Ku Klux Klan members and monuments to white supremacy are vanquished and toppled in the background.

Scot Heywood Exhibition

SCOT HEYWOOD

Born in Los Angeles in 1951, Scot Heywood has been investigating geometric abstraction for over forty years. “I painted flat from the get-go,” Heywood says, who has explored abstraction throughout the course of his artistic career. A self-taught artist, Heywood’s works are indebted to the origins of geometric abstraction. In the late 1970s, Heywood fell in love with the paintings of Piet Mondrian and John McLaughlin; since then, he has been translating the austere philosophy of geometric abstraction into his own monochromatic works. 

Ranging in scale from intimate to encompassing, his paintings consist of multiple, colored canvases, connected in staggered, patchwork patterns. In a seemingly endless array of variations, he inserts thin strips between, or attaches them to the sides of, square and rectangular canvases, intentionally misaligning them to create delightfully disruptive, staccato visual rhythms. Heywood is interested in the relationship between wall, work, and viewer, and in the rich dialogue between color and form.

Heywood has shown extensively in Southern California since the late 1970’s at such as significant galleries as Patricia Faure Gallery, Frank Lloyd Gallery, ACE Contemporary Exhibitions and Subliminal Projects Gallery. His work has been featured in dozens of solo shows, and is often included in significant group exhibitions at The Los Angeles Institute of Contemporary Art, San Francisco Art Institute and Otis College of Art & Design. Heywood’s work has been featured in publications such as the Los Angeles Times, Art in America, Art Slant, LA Weekly and Artweek. His paintings are also represented in numerous public and private collections, including the Frederick Weisman Foundation. He currently lives and works in Los Angeles, California.

INCONVERSATION: Melanie Pullen + Shana Nys Dambrot - Wednesday @ 7PM

Signed copies of Melanie’s exhibition catalog "VOYEUR" will be available for purchase.

Doors open at 6PM and the talk will begin at 7PM.
There will be refreshments served complimentary of the gallery.
Wednesday, June 19, 2024
7:00 PM 9:00 PM
WILLIAM TURNER GALLERY

Please join us for a conversation between art writer Shana Nys Dambrot and photographer Melanie Pullen. The two will discuss Pullen’s work and her research of true, unsolved crimes through the Los Angeles and New York Coroner’s office archives. 

Giving herself a guideline, Pullen's subjects in her High Fashion Crime Scenes series were never post-1950 and were always unidentified “Jane Doe’s”. Due to her work and research, she is on the Los Angeles School of Forensic’s advisory board.

In her newest series, Voyeur, she expands upon this theme by commenting on the voyeuristic tendencies of the human condition.

As Dambrot writes, “Photographer Melanie Pullen uses the visual lexicon of editorial and couture photography, critiquing our society of sex, death, and spectacle. The contrast between beauty and ugliness animates the work and captures the guilty conscience of the viewer’s own imagination—a dynamic she pushes even farther in her more recent Voyeur series, in which the watchers (us), watch the watchers (in the portraits) as they watch their own unseen prey. Everyone is implicated, everyone is dressed to the nines, and no one is safe.

Shana Nys Dambrot is an art critic, curator, and author based in Downtown LA. Formerly the Arts Editor at the L.A. Weekly, she is the co-founder of 13ThingsLA, and a contributor to the Village Voice, Flaunt, Artillery, and other culture publications. She studied Art History at Vassar College, and is the recipient of the Rabkin Prize for Art Criticism, the Mozaik Future Art Writers Prize, and the LA Press Club National Arts & Entertainment Journalism Critic of the Year award. Her surrealist novel Zen Psychosis (Griffith Moon) was published in 2020.

Melanie Pullen’s (b. 1975) photography has been shown in major museums and galleries internationally and is permanently in the holdings of many of the most prominent public and private collections around the world including: Colección Jump, Mexico City, Mexico; Museum of Contemporary Art (MOCA), Jacksonville, Florida; The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California; Nasher Museum of Contemporary Art, North Carolina; Howard Stein & the Forward Thinking Collection, New York, New York; Walker Art Center Museum, Minnesota; The Rand Collection, Santa Monica, California. Most recently the Getty Museum acquired several pieces from her High Fashion Crime Scenes which now reside in their permanent collection after being included in their exhibition: Icons of Style: 100 Years of Fashion Photography. 

Melanie Pullen: Voyeur Digital catalog is now available to view

"The best fashion photographs can remind us of other works of art or expand the boundaries of the genre, redefining what a fashion photograph is supposed to do or be. 

The photographs that do both are the ones that excite me the most. For example, the work of Melanie Pullen (b. 1975) represents a relatively new type of fashion photograph — one that was made for artistic reasons and celebrated by the fashion press after the fact. Based on crime-scene photographs that she found in police archives in Los Angeles and New York City, Pullen’s work reverses the aspirational nature of most fashion photographs, celebrating instead the darkly romantic idea of dying young, beautiful, and well dressed. As an image of suicide, Half Prada flies in the face of the industry’s claim: buy our products and your life will improve. The waist-down cropping keeps what would have been the picture’s most disturbing aspect out of the frame, while the undone shoe strap becomes, in Roland Barthes’ terminology, 'the punctum disrupting the perfection of the image.' The viewer is simultaneously attracted to and repelled by an image that is virtually impossible to forget."

Paul Martineau 
Curator of Photography 
The J. Paul Getty Museum 

MELANIE PULLEN: VOYEUR

Voyeur marks Melanie Pullen’s first solo exhibition at William Turner Gallery of large-scale photographs from her highly acclaimed High Fashion Crime Scenes and Voyeur series’. 

Born in New York City in 1975, Melanie Pullen is a self-taught fine-art photographer raised in a family of photojournalists, publishers, and artists. Growing up within the halls of the famed Hotel Chelsea, Pullen was immersed in this avant-garde setting, which greatly informed her artistic practice. Bi-coastal from an early age, Melanie spent her formative years between New York City and Los Angeles.

Pullen’s work focuses extensively on both social values and taboos while purposely taking aim at the media’s exploitation of sex, gender, and violence. Pullen herself has noted that she targets society’s obsessive glamorization by literally re-dressing what are deeply disturbing events, forcing the viewer to question their own values and observations.

Her photography has been shown in major museums and galleries internationally: it is permanently in the holdings of many of the most prominent public and private collections around the world: Museum of Contemporary Art (MOCA), Jacksonville, Florida; The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California; Museo Jumex, Mexico City, Mexico; Howard Stein & the Forward Thinking Collection, New York, New York; Walker Art Center Museum, Minneapolis, Minnesota; The Rand Collection, Santa Monica, California. 

Most recently the Getty Museum acquired several pieces from her High Fashion Crime Scenes which now reside in their permanent collection after being included in their exhibition: Icons of Style: 100 Years of Fashion Photography.

Pullen’s work has been featured in a number of publications including: The New York Times, T Magazine; Los Angeles Times; Vogue; Esquire Magazine; ELLE; London’s Independent; Spin Magazine; W Magazine; Flaunt Magazine; 1814 Magazine; Rolling Stone Magazine and Vanity Fair. 

Melanie was awarded the prestigious D&D Yellow Pencil Award in 2007 and has published three photography books, two with Nazraeli Press, the other with Kodansha.  She currently lives and works in Los Angeles, California.

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ERIC JOHNSON: MADAME X - Exhibition Catalog is now Available for Digital Viewing

William Turner Gallery is pleased to present Madame X, the digital exhibition catalog for Eric Johnson’s current solo exhibition at William Turner Gallery.

Eric Johnson attended Valley College; California Institute of Art and received his Masters of Fine Arts degree from University of California at Irvine. Johnson’s work is in many public and private collections, including: Oakland Museum; Laguna Beach Museum; Museum of Art and History (MOAH); Lancaster, CA; C.B.S. Broadcasting, New York, NY; Digital Domain, Venice, CA; Mary Barnes; Leonardo and George DiCaprio; James Cameron; Homeira and Arnold Goldstein, among others. Eric Johnson was born in Burbank, California, where he continues to live and work.

Eric will be at the gallery for the closing of the exhibition this Saturday from 3-5pm. He will speak briefly about his work and we will be taking orders for signed copies of the exhibition catalog. To receive a copy of the catalog please contact the gallery at 410-453-0909 or by email at info@williamturnergallery.com.

SHINGO FRANCIS Liminal Presence Exhibition Catalog

SHINGO FRANCIS: Liminal Presence Catalog Now Available

Shingo Fancis: Liminal Presence exhibition catalog is now available to view online on the occasion of his current solo show at the gallery. The hard-copy will be available in the coming weeks. 

Shingo Francis was born in Santa Monica, California in 1969. He received a Bachelor of Arts degree from Pitzer College in Claremont, and a Master of Arts degree from ArtCenter College of Design, in Pasadena. Francis’ work has been exhibited in Japan, United States, Germany, South Korea, and Switzerland. He has been the subject of museum shows at the Kawamura Memorial DIC Museum of Art, Sezon Museum of Modern Art, Ichihara Lakeside Museum, the Martin Museum of Art, and the Frederick R. Weisman Art Foundation. He recently completed a permanent installation in the foyer of the Hermès Foundation in Tokyo and received the Fumio Nanjo Award in Tokyo. He currently divides his time between Los Angeles and the ancient coastal town of Kamakura, Japan.

Eric Johnson’s Madame X exhibition catalog will be available for viewing in the upcoming week. Thank you and happy holidays from everyone at William Turner Gallery.

ANDY MOSES: Recent Paintings - Exhibition Catalog Now Available

A 68 page fully illustrated print copy of the catalog will be available next Tuesday. Please contact the gallery to purchase a copy at info@williamturnergallery.com.

William Turner Gallery is pleased to present the exhibition catalog for Andy Moses: Recent Paintings, a compelling exhibition of new large-scale works by Los Angeles-based artist, Andy Moses. The exhibition will run from September 9th through November 11th, 2023.

Recent Paintings is an excitingly ambitious new body of work, showcasing an artist fully engaged and at the height of his creative process. Blurring the line between abstraction and a new kind of pictorialism, Moses utilizes techniques that facilitate his almost obsessive study of the alchemical properties of paint.  

Utilizing a method that is completely unique and developed outside the realm traditional painting techniques, Andy has pioneered a new language of paint, one with its own tools and materials.  Every element of these pieces have been painstakingly examined.  Technology in the form of complex vacuum sealed chambers has been invented to assist in producing the works and even the structures on which the painting rests are extraordinary engineering feats of their own.  The end result are stunningly beautiful, highly crafted, and perfectly executed works of art done in a method that has never been seen on any painting in the entire history of art.  

Born in Los Angeles in 1962, Andy Moses attended the legendary CalArts from 1979-1981, studying with John Baldessari, Michael Asher and Barbara Kruger. In 1982, Moses moved to New York where he worked as a studio assistant to Pat Steir and quickly became part of New York's nascent art scene. Moses began exhibiting with Annina Nosei Gallery, shortly after Jean-Michel Basquiat. During that time Moses also developed close ties with artists such as Jeff Koons, Marilyn Minter, Rudolf Stingel and Christopher Wool, who were also just emerging onto the scene.

“I’ve always loved Andy’s work. It’s interesting how it embraces many dialogues within the history of painting, from nature, landscape and science to abstraction. The paintings embrace everything while at the same time a sense of negation is always present. This polarity allows you to discover your relationship with the work itself. There’s always a sublime beauty within the work. The commingling of time and space, both real and abstract, is one of the the most relevant aspects of Andy’s work to me. Moses’s work is powerful and extreme, from the beginning to today, in concept and execution.”

- Jeff Koons

Andy Moses’ work is included in the permanent collections of Los Angeles County Museum of Art, Orange County Museum of Art, Laguna Art Museum, and the Frederick R. Weisman Art Foundation.   Andy will be the subject of two forthcoming museum exhibitions one at the Lancaster Museum of Art and History and the other at the Laguna Art Museum and was recently the subject of a 30 year survey at the SMC Barrett Gallery.  

ART REVIEW - White Hot Magazine / Andy Moses: Recent Paintings

By LORIEN SUÁREZ-KANERVA September 11, 2023

Andy Moses’ Recent Paintings will be showcased at the William Turner Gallery in Los Angeles from September 9 until November 11, 2023. Moses Recent Paintings’ distinct color use encompasses a predominantly white, blue, black and gold palette. All-white color tints, shades, and their lustrous variability are at play amidst clear, sharper, fluid lines, and softer open gradations, leading toward ethereal spaces. Moses’s sensibility spans a buoyantly luminous subtlety and achieves a refined definition through a meticulously grounded and richly orchestrated embodied perception. Maurice Merleau-Ponty pointed to embodied perception as the experience of the self in an environment at the crucible towards forms of relatedness that reveal meaning and expand perception.  

Geomorphology 1607, Acrylic on canvas, over concave wood panel, 57 x 90 inches, 2023

Fiber Birren, Johannes Itten, and Carl Jung address the subject of color each through a psychological vantage point, cultural nuances (like Jung’s groundbreaking study of mandalas of the East by introducing these to the West), and Color Theory. The sensorial effects of color suggest a responsive universality based on similarities that bridge cultural bounds.  In his works “Color and Meaning” and “Color and Culture,” John Cage supports these observations on color's meaningful effect on sensorial understanding across cultures.   Most salient in Moses’ works is the combination of white and blue, where black shifts through a reflective play with light toward shades of blue. From these earlier scholars' observations, colors such as whites speak of clarity, illumination, and spirituality, and blues inspire serene tranquility and introspective depth.

As a countertone, gold's earliest cultural associations with the sun's radiant power extend the hue's significance to encompass wealth and prominence. For Jung, gold represented the self's individuation process, stimulating wisdom and enlightenment—likewise, Itten and Birren associated illumination and divine inspiration with gold. Extensively, gold in East Asia, including Japanese 18th-century iconography, signifies wealth, power, good fortune, and divinity.

Geomorphology 1606, Acrylic on canvas over concave wood panel, 57 x 90 in, 2023

Moses shares the American Transcendentalists’ numinously intuitive perception of nature alongside the critical figures of Thoreau, Whitman, Emmerson, and their predecessor, the Canadian Henry Wadsworth Longfellow. Poetry such as Henry Wadsworth Longfellow’s lines from his poem “The Tide Rises, The Tide Falls” are evident in Moses’ paintings, and they highlight a kinship, reveling in transcendental sensibilities grounded in the human experience of nature and its patterns throughout time.

 “The little waves, with their soft, white hands,
Efface the footprints in the sands.”

Geodesy 1514, Acrylic on canvas over circular wood panel, 72 in diameter, 2023 

Longfellow summarizes this generational contribution towards a deepening receptiveness and recognition of how these contemplations become influential legacies in his poem “A Psalm of Life.”

“Lives of great men all remind us.
We can make our lives sublime,
And, departing, leave behind us
Footprints in the sands of time.”

Geodesy 1515, Acrylic on canvas over circular wood panel, 72 in diameter, 2023

Similarly, Moses perceived an affinity and kinship from the East with Ryukyuan lacquerware for its craftsmanship and conceptual design motif through his introduction while viewing LACMA’s “The Five Directions: Lacquer from the Ryukyu Islands” exhibition. This iconography and the craft itself of creating a painstaking layering of resin polished into lacquer was characteristic of Japan’s Ryukyu Islands from the 18th century.  The motif speaks of benevolent mystical forms seeking wisdom in East Asian cultural iconography. One particular piece in LACMA’s exhibition, a circular tray, inspired his painting titled Geodesy 1515. The matter of the enlightenment is also poetically crafted as an adornment – Dragons Chasing the Flaming Pearl. The Flaming Pearl holds as its essence the themes of wisdom within a spiritual scope. At the same time, the dragons culturally appear as strong protective forms that control natural elements.

Circular Tray with Dragons Chasing a Flaming Pearl, Black Lacquer on Wood Core with Mother of Pearl Inlay, 3.5 x 35.25 in, Ryukyu Islands, 1700-1800, LACMA Permanent Collection.

The American transcendentalist ethos, presented in the poem “Come, said my soul” by Whitman, attests eloquently to their literary movements’ vision of universal unity.  Their writings draw deeply from their dedicated contemplation and communion with nature. This is akin to the sensibility the mystics have shared throughout time.

Geomorphology 1608, Acrylic on canvas over concave wood panel, 57 x 90 in, 2023

“Come, said my soul,
Such verses for my body let us write, (for we are one,)
That should I after death invisibly return,
Or, long, long hence, in other sphere,
There to some group of mates the chants resuming,
(Tallying earth’s soil, trees, winds, tumultuous waves,)
Ever with pleas’d smile I may keep on, Ever and ever yet the verses
owning – as, first, I here and now,
Singing for soul and body, set to them by name,
Walt Whitman

Andy Moses’s paintings attest to this universal transcendence, poetically defined, and breathtakingly revealing its cultural lineage’s kinship. WM

ANDY MOSES: RECENT PAINTINGS - Saturday September 9, 5-8PM

ANDY MOSES: RECENT PAINTINGS
September 9 - November 11, 2023
Opening Reception: Saturday, September 9, 5-8PM

Greg Miller - The Da Vinci Questionnaire - Nostalgic Nods to Ubiquitous Tropes

Greg miller at work in his Austin, Tx Studio

Extracting familiar pictorial codes from the pop culture of his youth, Greg Miller – who divides his time between New York, NY, Fredericksburg, TX and LA, CA, and whose work is featured in numerous museum and private collections, with a volume of his writings, photography and paintings having been published in 2010 – plumbs his own psychological depths only to discover what makes him love work and life.

To view the online exhibition catalog for the show please click HERE.

Once Upon A Time

Exhibition Catalog now available Online and in Print. Please contact the gallery for a copy of the print version.

GREG MILLER: Once Upon A Time - Exhibition Video

Please enjoy this short video highlighting work from the exhibition. To view the exhibition catalog please press the button below.

TOMORROW AT BERGAMOT STATION

Greg Miller: Once Upon A Time Exhibition Catalog Now Available

Greg Miller's artistic versatility is evident in his adept use of various painting styles. With a deft hand and craftsmanship, he navigates different techniques to achieve diverse visual effects in his work. Using a Renaissance practice of layering paint, he is able to achieve the photorealism in his portraits which is a highly labor intensive and skillful process.

One can observe Miller's skillful mastery of realism in his highly detailed and precise portrayals. Whether it's capturing the nuanced expressions of faces or rendering intricate textures, his attention to detail demonstrates his command over the Realist style.

The exhibition’s title comes from the work Once Upon a Time, which illustrates many of the themes, and techniques characteristic of Miller’s oeuvre. Central to the image is a black-and-white painting of a vintage Hollywood city-scape during its “Golden Age”.  Super-imposed, is the profile of a comic book action-hero surveying the vista. To the right, Grisaille is applied with spray paint to produce a photorealistic portrait of a woman seductively peering out from what appears to be a cropped still-frame. The scratched surface alludes to wear, and the passage of time. Collaged below is a text clipping of “the right” with a clock next to it, suggesting “time”. On the far left, a faceted crystal highball glass is labeled with a clipping reading “ACTION”.

Once Upon A Time, acrylic on canvas, 60” x 72”, History, acrylic on canvas, 36” x 72”, Truth, acrylic on canvas, 48” x 48”

GREG MILLER

Greg Miller (b. 1951) was born in Sacramento, California and holds a Master of Arts Degree from San Jose University. Once a long-time Venice, California resident, he currently resides in Austin, Texas.

His work is featured in numerous museum and private collections, including those of: the San Jose Museum of Art, Newport Harbor Museum, Crocker Museum of Art, Los Angeles County Museum of Art, Laguna Art Museum, Riverside Art Museum,  Frederick R. Weisman Foundation and Charles Saatchi Foundation. The Get Go, a volume of his writings, photography and paintings was published in 2010, and the first comprehensive monograph of the artist, Signs of the Nearly Actual, was published in 2009.

GREG MILLER Once Upon A Time 
June 10, 2023 – August 12, 2023 

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Craft In America on PBS - Inspiration Episode - Mark Steven Greenfield

Mark Steven Greenfield talks about Simon Rodia and the Watts Towers in the Craft In America Inspiration episode on PBS. Also, please find the attached bonus video where Craft in America looks at the production of Mark’s piece Califia. Califia can be currently viewed at the gallery.

Its television series Craft in America includes more than 20 hour-long episodes. It is shown on PBS, and is a winner of the Peabody Award. In 2020, Craft in America was awarded the inaugural Decorative Arts Trust Prize for Excellence and Innovation, in connection with its plan to create a video dictionary of decorative arts tools, techniques, and materials.

Mark Steven Greenfield is a native Angelino, and son of a Tuskegee Airman, which led to spending the first part of his life abroad, living on military bases from Taiwan to Germany, until returning to LA at the age of ten. In high school Greenfield studied with revered Los Angeles artist, John T Riddle. Riddle quickly noted Greenfield’s talent, but saw that he was vulnerable to the influences and dangers confronting black youth at the time. Riddle remarked, "You could be a pretty good artist....if you live that long.” This got Greenfield’s attention and set him on the path that would define the course of his life. 

Greenfield went on to study with Charles White, at Otis Art Institute, and received his Bachelor’s degree in Art Education in 1973 from California State University, Long Beach and a Masters of Fine Arts degree in painting and drawing from California State University Los Angeles in 1987. Greenfield’s work has been exhibited extensively throughout the United States most notably with a comprehensive survey exhibition at the California African American Museum in Los Angeles in 2014, and in 2002 at the Museum of Contemporary Art of Georgia. Internationally, he has exhibited at the Chiang Mai Art Museum in Thailand; at Art 1307 in Naples, Italy; the Blue Roof Museum in Chengdu, China; 1333 Arts, Tokyo, Japan; and the Gang Dong Art Center in Seoul, South Korea. 

Mark Steven Greenfield, Califia, 2022, gold leaf and acrylic on wood panel, 30" x 56”

MARK STEVEN GREENFIELD

Greenfield is a recipient of the L.A. Artcore Crystal Award (2006) Los Angeles Artist Laboratory Fellowship Grant (2011), the City of Los Angeles Individual Artist Fellowship (COLA 2012), The California Community Foundation Artist Fellowship (2012), the Instituto Sacatar Artist Residency Fellowship in Salvador, Brazil (2013) and the McColl Center for Art + Innovation Residency in Charlotte, North Carolina (2016). He was a visiting professor at the California Institute of the Arts in 2013 and California State University Los Angeles in 2016. 

From 1993-2011, Greenfield worked for the Los Angeles Department of Cultural Affairs as director of the Watts Towers Arts Center, and later as director of the Los Angeles Municipal Art Gallery, Barnsdall Park. He has served on the boards of the Downtown Artists Development Association, the Armory Center for the Arts, the Black Creative Professionals Association, the Watts Village Theatre Company and was past president of the Los Angeles Art Association/Gallery 825. He currently teaches drawing and design at Los Angeles City College, and serves on the board of Side Street Projects.

Julian Lennon: Atmospheria Catalog Now Available Digitally & in Print

William Turner Gallery is please to present the catalog for Julian Lennon’s exhibition Atmospheria. The catalog is available to view using the button below and a print version (36 pages fully illustrated) is available by contacting the gallery.

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the beauty of these vaporous vistas to inspire us to better revere and protect them.

The collection is suffused with a sense of wonder and awe at the majesty of natural phenomena. Each image simultaneously evokes feelings of sweeping grandeur and indefinable yearning. Luminary, shape-shifting clouds, distinguished by the combings and crests of light and shadow, speak with gravitas and elegance.

A portion of the proceeds from Atmospheria will benefit The White Feather Foundation (TWFF), Lennon’s nonprofit organization. Since its inception in 2007, TWFF has championed conservation projects worldwide.The foundation raises funds for Indigenous, environmental, education, health and clean water projects around the world. TWFF has saved native lands from being taken from Indigenous groups; brought clean water to developing communities; provided girls with educational scholarships; helped furnish and build schools in underprivileged areas; brought mobile ambulances to remote villages; assisted with disaster relief and brought meaningful social justice films to light.

Alex Couwenberg: SuperGlide - Exhibition Video

View the exhibition video for Alex Couwenberg SuperGlide. To view the digital exhibition catalog please press the button below.

Now Available from MOAH Press - Mark Steven Greenfield: A Survey 2001-2021

122 pages, fully illustrated hard cover monograph published on the occasion of the exhibition at: Museum of Art and History (MOAH), Lancaster, CA, January 22 - April 17 2022. Designed by Tony Pinto

Now available at William Turner Gallery. Signed copies of the 122 page hard cover book Mark Steven Greenfield: A Survey 2001-2021. This beautiful monograph highlights the work of this important artist’s output during the last 20 years of his career.

MARK STEVEN GREENFIELD
Mark Steven Greenfield is a native Angelino, and son of a Tuskegee Airman, which led to spending the first part of his life abroad, living on military bases from Taiwan to Germany, until returning to LA at the age of ten. In high school Greenfield studied with revered Los Angeles artist, John T Riddle. Riddle quickly noted Greenfield’s talent, but saw that he was vulnerable to the influences and dangers confronting black youth at the time. Riddle remarked, "You could be a pretty good artist....if you live that long.” This got Greenfield’s attention and set him on the path that would define the course of his life. 

Greenfield is a recipient of the L.A. Artcore Crystal Award (2006) Los Angeles Artist Laboratory Fellowship Grant (2011), the City of Los Angeles Individual Artist Fellowship (COLA 2012), The California Community Foundation Artist Fellowship (2012), the Instituto Sacatar Artist Residency Fellowship in Salvador, Brazil (2013) and the McColl Center for Art + Innovation Residency in Charlotte, North Carolina (2016). He was a visiting professor at the California Institute of the Arts in 2013 and California State University Los Angeles in 2016. 

From 1993-2011, Greenfield worked for the Los Angeles Department of Cultural Affairs as director of the Watts Towers Arts Center, and later as director of the Los Angeles Municipal Art Gallery, Barnsdall Park. He has served on the boards of the Downtown Artists Development Association, the Armory Center for the Arts, the Black Creative Professionals Association, the Watts Village Theatre Company and was past president of the Los Angeles Art Association/Gallery 825. He currently teaches drawing and design at Los Angeles City College, and serves on the board of Side Street Projects.