CASPER BRINDLE: NUMINA DIGITAL CATALOG IS NOW AVAILABLE

Santa Monica, CA - William Turner Gallery is pleased to present the exhibition catalog for Numina, Casper Brindle’s first solo exhibition at the gallery in four years. In the interim, Brindle has had numerous national and international exhibitions, including an extensive exhibition in 2022 at The Luckman Gallery, Cal State LA. Numina will run from January 25 - March 22, 2025.

Numina, presents two bodies of work, Light Glyphs and Veils, each of which involve dramatic investigations into light, color and the fluid, ever shifting nature of perception.  The exhibition ranges from painting to sculpture, and exemplifies Brindle’s restless experimentation and evolving modes of expression. The works are poetic, sensual and spatially dynamic. Utilizing automotive paints and pigmented acrylic, Brindle has created works that reflect and diffuse light in ways that are nuanced and engaging. 

A printed copy of the book will be available in either soft cover or in a limited edition hard cover. For information regarding obtaining a printed copy of the book please contact us via email.

Exhibition Catalog for PHENOMENA is NOW AVAILABLE!

The catalog from the latest show at William Turner Gallery, PHENOMENA, is out now! The catalog is available on the official William Turner Gallery website and includes images and insights from PHENOMENA. The exhibition is part of the Getty presented event PST Art, Art & Science Collide. PST Art is the largest event in the United States, featuring over 800 artists at over 70 institutions in Southern California. PHENOMENA showcases art by Charles Arnoldi, Natalie Arnoldi, Ryland Arnoldi, Kelsey Brookes, Alex Couwenberg, Franco DeFrancesca, Lawrence Gipe, David Lloyd, Ed Moses, Jeff Overlie, Melanie Pullen, and Jennifer Wolf.

LIGHT MATTER Closing This Saturday - PHENOMENA Phase Two of PST Opens November 16

Phenomena features a range of work, from representational depictions to abstract expressions,  celebrating the power and visual splendor of the natural world as a resource for creative expression and investigation. For centuries, artists have pictorially documented their observational studies of natural phenomena and the world around us. Manuscripts such as Natural History (77 CE) by Pliny the Elder and The Book of Miracles (1552), chronicled divine wonders and horrors in illustrations, often serving as warnings of the consequences of human deeds upon their environment and the mysteries of the natural world. Utilizing these extraordinary codexes as a genesis for Phenomena, the exhibition explores related themes.

In the 16th century, “cabinets of curiosities” or “wonder rooms” in Europe served as spaces to showcase collections curated for the artistic and scientific interests of their patrons and served as precursors to museums. With missions to both amuse and enlighten, “cabinets of curiosities” functioned as sources for entertainment and educational resources, thus intersecting art and science. In the late 19th century, scientific inquiry shifted from museums to university laboratories bifurcating the two discourses. Phenomena merges the two disciplines as they once had been integrated in the cabinets of curiosities.

Artists in Phenomena: Charles Arnoldi, Natalie Arnoldi, Ryland Arnoldi, Kelsey Brookes, Alex Couwenberg, Franco Defrancesca, Lawrence Gipe, David Lloyd, Ed Moses, Jeff Overlie, Melanie Pullen, Jennifer Wolf